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Latest Listings

Stephen K Amos

The Missing Lemon Meringue.Chewing the fat with smarter laughter in a jolly, jovial, joyous, jape jamboree (there I said it. Can you?), Stephen K Amos finds the funny in how simple misunderstandings can lead to unexpected consequences, the good, the bad and the outright hilarious. And how some people might just need a pie to the face. An hour of guaranteed side-splitting belly laughs to give your abs a workout. How could you hate it?

Leicester Square Theatre • 29 Jan 2028

Eigengrau

Eigengrau: the uniform dark grey color that people see in total darkness or with their eyes closed. It’s 2010 in London. Rent is £400 a month, Instagram has under 1 million users and you have to find new housemates on GUMTREE.Feminist activist Cassie clashes with (well, everyone but especially…) her new flatmate Rose’s marketing boyfriend Mark who can’t seem to get his grieving flatmate Tim off his couch. Eigengrau asks you to close your eyes and live in the messy grey areas. Rent squabbles, relationship drama and millennial quarter life crises all round.Age Suitability: 18+Warnings: Simulated sexual scenes / Self harm / Violence / Eye gouging / References to sexual assault / Pornography / Racialised languageWRITTEN BY Penelope Skinner, rights provided by 42 M&P DIRECTED BY Marty BreenMOVEMENT DIRECTION BY Charlotte O’Reilly POSTER DESIGN BY Grace O’BrienCAST Ciara Feely as CassieConor O’Sullivan as Tim Grace O’Brien as Rose Joshua Horgan Smyth as MarkTICKETS €21 | €19 (Concession)RUNNING TIME 1 hr 30 mins no intervalABOUT THE COMPANY Moonburn Productions are a new Dublin-based theatre company interested in female centred stories that shed light on the wild hidden within. Moonburn is that intuitive sizzle beneath the skin. That invisible burn when the gap between conscious and subconscious is too great to withstand.

Smock Alley Theatre, 1662 • 20 Nov 2026 - 21 Nov 2026

Rozafa Castle

An Illyrian tribe has undergone the full spectrum of shock. From the unexpected & strange slaughtering of its people, to the ‘miracle’ that Rozafa has finally birthed her own child - much to her dismay of the term. Rozafa’s husband, Pax, and his newly appointed brothers are to erect a fort so powerful of meaning that perhaps their wives, too, shall fall into the abyss of a promising future. Yet is such a construction possible without Rozafa’s pagan ways?

• 1 Jan 1970

SCALENO – One Body, Three Voices

Three voices. One body. A mind caught between memory, identity and the struggle to live in the present. Blending Italian, Neapolitan and English with English surtitles, SCALENO is an award-winning solo performance exploring what happens when the past and future leave no room for the present. Winner of Best Production at Liverpool Fringe Awards 2026.

Barons Court Theatre • 6 Nov 2026 - 7 Nov 2026

Fear of...

Fit for the season, Fear of... confronts the spookiest of all monsters: an impending deadline and one woman’s battle against procrastination, the voices in her head, and the vulnerability of being watched without warning.Fear of… originated from my master’s thesis at LAMDA and incorporates classical/original test, movement, improv, and music.

The Red Hedgehog • 20 Oct 2026

Pinned

Set against the backdrop of present day Paris, Pinned is a contemporary queer love story that blends French and English (including surtitles for both) with live cello, creating a dialogue for modern love. Claire, an academic from New Zealand finishing her anthropology masters in Paris, meets Léo, a disillusioned Parisian cellist caught in the slipstream of her own life. The two women form a bond that challenges them both to confront who they are and what they want from their futures.

Etcetera Theatre • 15 Nov 2026 - 16 Nov 2026

L'Imperatrice

The Countess of Castiglione comes to life in an "impossible interview" that blends video and stage, history and myth. An icon of the Risorgimento, an *avant la lettre* influencer, and an Empress by vocation, she continues to challenge how we perceive the feminine today.  A diva. A political weapon. Virginia Oldoini, Countess of Castiglione, a key figure in the Italian Risorgimento, is invited onto a fictional TV show called *Free Women Suite*. She shares her story in an "impossible interview," where the pace set by a probing host, played by the same actress on screen, fuels a sharp, rapid-fire exchange. The performance strikes a dizzying balance between the real and the virtual, the past and the present, history and imagination. In the 19th century, Virginia was a revolutionary woman: uninhibited, intelligent, shrewd, irreverent, free, emancipated, and powerful. She spoke five languages and dabbled in the stock market. She set trends, meticulously crafting every look, and never wore the same dress twice. By carefully curating her own image, she built a myth around herself, becoming an icon of her era, as well as a valuable political pawn. At a very young age, she became the mistress of the future King of Italy and was sent by her cousin, Cavour, to seduce Napoleon III for the sake of the Italian cause, transforming her body, intellect, and presence into instruments of power. In return, she harbored one grand dream: to become an Empress. But fate had other plans. Virginia’s persona intertwines with the third Tarot card, The Empress, a symbol of creativity, fertility, beauty, and feminine power: the woman who gives birth to herself and takes center stage. The performance presents a magnetic and strikingly contemporary portrait: a woman who chose to turn her life into a performance and her image into a language, without shying away from her shadows, her vulnerabilities or her solitude. As they witness the exchange between the interviewer and the Countess, the audience itself is prompted to confront a crucial question: can women today be viewed through fresh eyes, or do we continue to perceive them through the same old stereotypes? Perhaps it is not Virginia who needs to be re-evaluated, but rather our own way of looking at the feminine, a perspective still frequently unable to fully embrace its complexity and autonomy. For, as she herself says, “within me were so many different women, all wanting to emerge, to come to life, to blossom... like so many splendid flowers in a single garden.” Are we ready to change the way we see?

Teatro Vitaliano Brancati • 15 Oct 2026 - 18 Oct 2026

RAT RAT RAT

Following a sold-out run in June, RAT RAT RAT is back in session at Camden People’s Theatre, 28-31 October at 9pm, as part of CPT’s Autumn Season! Join three strangely adorable rat students for unsettling lessons in obedience, movement, creature costumes and dark humour. Drawing on the history of animal experimentation and the atrocities committed by Unit 731 in the Asian theatre of the Second World War, RAT RAT RAT examines how institutional authority can turn cruelty into routine.

Camden People's Theatre • 28 Oct 2026 - 31 Oct 2026

Tabu

In the age of AI, Tabu is the start-up of everyone’s nightmares. Letting users explore their ‘deepest, sickest fantasies’ through artificially generated porn, nothing is off limits to those willing to pay. But when a string of scandals threatens to strike, junior lawyer Morgyn sneaks off to meet company founder Alister to confront what their product has unleashed upon the world.

Barons Court Theatre • 24 Oct 2026 - 27 Oct 2026

Therapy Sessions

A Flagship First Fortnight event, Therapy Sessions always delivers a night of energising, diverse and powerful performance for the mind and soul. Therapy Sessions returns to Dublin this January with renowned poet and host Stephen James Smith. This First Fortnight audience favorite features some of Irelands most exciting musical and spoken word talent. Age Suitability: 16+ Warnings: Potentially strong language and challenging topicsWITH David Keegan,  Maureen Onwunali, Róisín El Cherif, Stephen James SmithTICKETS €21 | €19 (concession)RUNNING TIME 2 hrs incl 15 min intervalABOUT THE COMPANYFirst Fortnight is Irelands Mental Health arts festival challenging mental health stigma through art and cultural action.

Smock Alley Theatre, 1662 • 15 Jan 2027

The Hundred Aker Wood

Cape Rep Theatre continues our 2026 season with the world premiere musical The Hundred Aker Wood, written by Macklin Devine, Seamus Devine, Paddo Devine and Maura Hanlon. The show is directed by Maura Hanlon. Performances will be held in Cape Rep’s Indoor Theater November 12 - December 13

Cape Rep Theatre • 12 Nov 2026 - 13 Dec 2026

How to Get to Heaven from the Crawfish Pond

How to Get to Heaven from the Crawfish Pond is a dark comedy about love, death, family, faith and redemption. In this new play, Crawfish farmer Earl Roussel has been dead for ten years when he wakes up in a Purgatory that looks suspiciously like his own front yard. His wife, Ruth, is on her deathbed but escapes at night to reconnect with him. Their estranged children return carrying old resentments, missing money and unresolved feelings about their father.

Theater for the New City • 5 Nov 2026 - 22 Nov 2026