Join Jon Richardson along with a special guest as he takes you through his new book and much more. What possible value could there be in revisiting the awkward, unfiltered thoughts of a 14-year-old boy, especially now, in his forties and a successful comedian, actor and father? As it turns out, quite a lot. In this candid memoir, Jon reconnects with his younger self – a boy growing up in an era when Oasis dominated the charts and Baywatch dominated his imagination. From embarrassing teenage misadventures, including a mortifying PE lesson involving a climbing rope, to small but significant triumphs like earning a pack of Chewits for the ‘cleanest tent’ at scout camp, Jon revisits the moments that shaped him and, ultimately, set him on the path to comedy.

Fasten your bra straps and brace yourself for Middle Rage, a night of feel good comedy catharsis where savagely funny songs, hilarious characters and real life RAGE will leave you feeling fabulous, fearless and feral. Where comedy meets cholesterol, musical theatre meets menopausal misfits and stand up meets vaginal atrophy! Two Women. Two Shows. Zero Chill.

THIS SHOW IS NOT ABOUT BEING HIT BY A CAR.On the 31st of October 2019, Cosmo was hit by a car in an act of transphobic hate and violence.This show is not about being hit by a car. This is a show about sex. This is a show about period sex. This is a show about working at Tesco. This is a show about living with your parents. This is a show about the Rocky Horror Picture Show. This is a show about trans euphoria, sexuality, and survival.“Unabashed, brazen, brilliant.” - Binge Fringe, 5 stars“Necessary for the times we live in” - Tony Loves the Fringe, 5 stars “A sharply funny and at times wonderfully outrageous piece of theatre, with a tell-all heart at its core” - Butch-Femme Press, 4 starsAge Suitability: 18+Warnings: Strong language / partial nudity / sexual reference / mentions of sexual violence / transphobiaWRITTEN & PERFORMED BY Niamh O’Farrell-Tyler DIRECTED BY Shauna-Anne Lynch LIGHTING DESIGN BY Eimear Conroy SOUND DESIGN BY Peter McMahonPODUCTION MANAGER Avril Shields STAGE MANAGER Gráinne SheehanCO-PRODUCERS Megan Flynn and Niamh O’Farrell-Tyler DIGITAL MARKETING & MAKEUP BY Kai Allen PR & PUBLICITY Vanessa ByrneIMAGES BY Kallum LinnieTICKETS €21 | €19 (Concession)RUNNING TIME 50 mins no intervalABOUT THE COMPANYDYKEish was founded by Niamh O’Farrell-Tyler in early 2025 as a theatre collective making work ‘by queers, for queers’ and its core members - Niamh O’Farrell-Tyler, Vanessa Byrne, Kai Allen, Megan Flynn, Jess Jenkins, and Gráinne Sheehan - were officially recognised after the success of their first production, ROADKILL, at the Edinburgh Fringe.The DYKEish members work together, combining all of their varied individual experiences, to deliver community-led events and theatre which celebrate the queer experience. Through the last year and a half, DYKEish has held multiple sold out community fundraising events, and runs a monthly open mic to enrich both the queer and creative scenes in Dublin. Their events have been featured on a variety of platforms such as GCN, Alternative Dublin, Love Temple Bar, and more. They have multiple creative and theatrical projects in development for 2027.

WHY MAGIC? follows a boy who always struggled to fit in. One evening after seeing Paul Daniels on television, he discovers the world of magic and everything changes. WHY MAGIC? is packed with gripping storytelling as well as jaw-dropping visual and interactive magic. This show is not to be missed.

Part chat show, part drag spectacular, part variety special and part gloriously unhinged live television. AS SEEN ON TV has been created as a celebration of the personalities who have become part of Britain’s collective television memory. For its first edition, Grace Ann Decorum will be joined by Lorraine Bowen, whose unforgettable Britain’s Got Talent audition saw David Walliams award her his Golden Buzzer following her performance of The Crumble Song.

Abandoned by his father at birth, Lucian has never seen the world. Blind from birth, he lives by instinct, a cane and the help of one loyal friend. Years later, his father returns and offers him a chance to see. But seeing doesn't mean understanding. As Lucian enters a world of faces, colours and new experiences, he falls in love, loses his best friend, and begins searching for a truth he thinks he already knows. When he can finally see, can he trust what is in front of him?

Join some of the UK's biggest, most critically acclaimed and funniest comedians for a special evening of live stand-up comedy, all in aid of War Child. Joining the incredible lineup so far is Maisie Adam (Taskmaster, Last One Laughing, League of their Own), Horatio Gould (Fin VS History), Phil Wang (Have I Got News For you, Great British Menu, Taskmaster ), special guest Sally Phillips (Smack The Pony, QI, Taskmaster), Ahir Shah (Live at the Apollo, Mock The Week, QI), all mc'd by the fantastic Alexandra Haddow! Every ticket sold will raise vital money and awareness for War Child's life changing work with children and families suffering the brutal effects of the war in Sudan, the world's worst humanitarian crisis. War Child work in partnership with local organisations, providing emergency support such as food, clean water, hygiene kits, clothing, and blankets when conflict breaks out, and staying as long as needed to help children and families recover and rebuild their lives. The ongoing civil war in Sudan is having a devastating impact on families and children. 15 million children are in desperate need of humanitarian assistance in Sudan, with over a third of the population fleeing their homes

The Cannoneer is the true story of Giuseppa “Peppa” Bolognaro Calcagno, an orphan, despised by society, who dressed as a man and, with the aid of a stolen cannon, tricked the oppressor’s cavalry in occupied Sicily in 1860. Did we steal the plot from Mulan? Well no. It’s documented history. She received a medal for military valour from the newborn Kingdom of Italy but was then, very conveniently, forgotten. Now she’s back, ready to tell her story.

Amanhã Não Está Certo porque não controlamos o futuro. Amanhã Não Está Certo porque aprendizagens, pessoas e acasos mudam o percurso que um dia nos pareceu perfeito. No seu 4.o solo de stand-up comedy, Pedro Teixeira da Mota quer voltar a aproveitar o momento, sem planear em demasia os próximos passos.

Set in Donegal in 1936, Brian Friel’s award winning play centers on the five Mundy sisters, who live with their older brother, a priest just returned from Uganda, and the youngest sister’s seven year old son, Michael. Narrated by a grown up Michael, this play explores memory, family, and public and private life against a backdrop of the tension between Christianity and paganism.“This play does exactly what theatre was born to do, carrying both its characters and audience aloft on those waves of distant music and ecstatic release that, in defiance of all language and logic, let us dance and dream just before night must fall.” – Frank Rich, New York Times WRITTEN BY Brian FrielDIRECTED BY Cian GallagherLIGHTING DESIGN BY Colin DoranSET DESIGN BY Isabel HamiltonCOSTUME DESIGN BY Erica SmithSOUND DESIGN BY Kevin ClearyMOVEMENT DIRECTOR Grace SkowronskiASSISTANT DIRECTOR Harry HallCREATIVE ASSOCIATE Ash DawesHEAD OF PROPS Emerson Pedroso PRODUCER Erin MaherASSISTANT PRODUCER Sarah McNeiceHAIR & MAKEUP LEAD Lucy Richards SmyrkMUSIC DESIGN & CREATION Muirne Shaw & Kevin ClearyDONEGAL DIALECT COACHES Nicole McCarron & Niall Brennan WELSH DIALECT COACH Rónán P. ByrneHEAD OF MEDIA & GRAPHICS Sorcha Ní PheadairVIDEOGRAPHER Daniel JackmanSTAGE MANAGER Kara Lord-Bissett LIGHTING OPERATOR Grainne Holmes BlumenthalCAST Caoimhe Boyle, Simon Cunningham, Eoin Daly, Kate Gurren, Grace Kinirons, Ciaran Mooney, Muirne Shaw, Katie Taylor TICKETS €26EARLY BIRD OFFER €23RUNNING TIME 2 hrs 30 mins incl 15 min intervalABOUT THE COMPANYThe society's goal is to be bold & innovative, providing young professionals with a platform to perform and create impactful theatre and art.Entr'acte debuted their inaugural musical, Spring Awakening in Smock Alley Theatre in January 2023 and after a sold-out run, the show ran again in April of 2023. The team went on to win Best Overall Show in the Sullivan section at the 2023 AIMs awards and Best Direction, Best Musical Direction and Best Choreography.Entr'acte has also established a successful choir and orchestra. Directed by Gráinne Larkin and Róisín Heenan the choir competes at AIMS Choral Festival and stages a concert alongside the orchestra, directed by Catríona Atkinson, in December and May.Entr'acte produces a full scale musical and play per society year. In 2025 their production of Sweeney Todd won Best Overall Show at the AIMS Awards in the Gilbert section - meaning Entr'acte has won best overall show twice in its four years of competing.In 2025 Entr'acte produced Our Town by Thornton Wilder which was met with incredible audience reception, and in February 2026 Entr'acte produced Jesus Christ Superstar which garnered a 5 star review from The Arts Review.REVIEWS FOR THE COMPANY ****“For an ‘amateur’ musical society Entr’acte certainly put many professional companies to shame.” – Chris O'Rourke, The Arts Review ****“There’s professional and then there's professional. Usually, professional means a paid gig. But there are also professional standards, which many paid gigs struggle to live up to... Entr’acte’s professional standards are second to none. ” – Chris O'Rourke, The Arts Review

a bundle of wartime love letters, kept for more than eighty years, forms the heart of Blackout, a new audio documentary-drama. In 1943, between flying bombing missions over Germany, John—a young RAF pilot—wrote to Heather, the woman he had just fallen in love with. Heather kept all his letters. Eighty years later, her daughter, the writer Clare Best, discovered them and found herself inside a story she had only half known. Blackout is Clare’s response.

It’s 7pm and rehearsal is finished for the day. A janitor alone on stage finds himself possessed by minor Shakespearean characters unhappy with their lot in the original plays. No longer waiting in the wings, they begin to ask the question: can you achieve true agency when your life has been written already? Understudy No. 5 is a monologue cycle of possession and inversion - the perfect show for clowns, philosophers, and Shakespeare nerds alike.