Amanhã Não Está Certo porque não controlamos o futuro. Amanhã Não Está Certo porque aprendizagens, pessoas e acasos mudam o percurso que um dia nos pareceu perfeito. No seu 4.o solo de stand-up comedy, Pedro Teixeira da Mota quer voltar a aproveitar o momento, sem planear em demasia os próximos passos.

Set in Donegal in 1936, Brian Friel’s award winning play centers on the five Mundy sisters, who live with their older brother, a priest just returned from Uganda, and the youngest sister’s seven year old son, Michael. Narrated by a grown up Michael, this play explores memory, family, and public and private life against a backdrop of the tension between Christianity and paganism.“This play does exactly what theatre was born to do, carrying both its characters and audience aloft on those waves of distant music and ecstatic release that, in defiance of all language and logic, let us dance and dream just before night must fall.” – Frank Rich, New York Times WRITTEN BY Brian FrielDIRECTED BY Cian GallagherLIGHTING DESIGN BY Colin DoranSET DESIGN BY Isabel HamiltonCOSTUME DESIGN BY Erica SmithSOUND DESIGN BY Kevin ClearyMOVEMENT DIRECTOR Grace SkowronskiASSISTANT DIRECTOR Harry HallCREATIVE ASSOCIATE Ash DawesHEAD OF PROPS Emerson Pedroso PRODUCER Erin MaherASSISTANT PRODUCER Sarah McNeiceHAIR & MAKEUP LEAD Lucy Richards SmyrkMUSIC DESIGN & CREATION Muirne Shaw & Kevin ClearyDONEGAL DIALECT COACHES Nicole McCarron & Niall Brennan WELSH DIALECT COACH Rónán P. ByrneHEAD OF MEDIA & GRAPHICS Sorcha Ní PheadairVIDEOGRAPHER Daniel JackmanSTAGE MANAGER Kara Lord-Bissett LIGHTING OPERATOR Grainne Holmes BlumenthalCAST Caoimhe Boyle, Simon Cunningham, Eoin Daly, Kate Gurren, Grace Kinirons, Ciaran Mooney, Muirne Shaw, Katie Taylor TICKETS €26EARLY BIRD OFFER €23RUNNING TIME 2 hrs 30 mins incl 15 min intervalABOUT THE COMPANYThe society's goal is to be bold & innovative, providing young professionals with a platform to perform and create impactful theatre and art.Entr'acte debuted their inaugural musical, Spring Awakening in Smock Alley Theatre in January 2023 and after a sold-out run, the show ran again in April of 2023. The team went on to win Best Overall Show in the Sullivan section at the 2023 AIMs awards and Best Direction, Best Musical Direction and Best Choreography.Entr'acte has also established a successful choir and orchestra. Directed by Gráinne Larkin and Róisín Heenan the choir competes at AIMS Choral Festival and stages a concert alongside the orchestra, directed by Catríona Atkinson, in December and May.Entr'acte produces a full scale musical and play per society year. In 2025 their production of Sweeney Todd won Best Overall Show at the AIMS Awards in the Gilbert section - meaning Entr'acte has won best overall show twice in its four years of competing.In 2025 Entr'acte produced Our Town by Thornton Wilder which was met with incredible audience reception, and in February 2026 Entr'acte produced Jesus Christ Superstar which garnered a 5 star review from The Arts Review.REVIEWS FOR THE COMPANY ****“For an ‘amateur’ musical society Entr’acte certainly put many professional companies to shame.” – Chris O'Rourke, The Arts Review ****“There’s professional and then there's professional. Usually, professional means a paid gig. But there are also professional standards, which many paid gigs struggle to live up to... Entr’acte’s professional standards are second to none. ” – Chris O'Rourke, The Arts Review

After a 120-date sell-out tour last year, Neil Delamere is back. Expect tall tales and razor-sharp observations from this master storyteller as he covers what exactly it takes to keep the show on the road, whatever your particular show might be.

“So. Why’re you doing tap?”“The sex appeal.”Movement Therapy is the debut stage play from Cold Plunge Productions. Written by Margot Pue, it is a new 60-minute comedy that explores how movement, specifically tap dance, can help people process grief and find community.Fiona finds herself freshly and unexpectedly single, living in a flat she can’t afford without her ex, Jack, who got full custody of their shared friend group. All she has to do is move on, which is proving challenging since no one in her family wants to uninvite Jack from her brother’s wedding.Her only solace is her weekly tap dance class - a hobby Jack never liked but now becomes a lifeline. It’s there she meets Ben, a drummer with two left feet and his own baggage to tap his way through.Directed by Nell Lang and teched by Isy Platt, Movement Therapy traverses the unsteady landscape of grief with humour, hope, and the absurdity of tap dance.Praise for previous work:COVENANT, Edinburgh Fringe, 2024:“the actors are supremely talented, but together they are a synergistic force of nature”- *****, London Theatre DocRunning time: Approximately 60 minutesLATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.No re-admittance once the performance has commenced. Refunds and exchanges are not available.

Join (demonic) doctor Adam Kay and (infernal) illustrator Henry Paker for the world’s most queasy quiz. Expect blood-curdling brain-teasers, disgusting draw- alongs and grizzly games, as the maniacs behind Kay’s Anatomy fill your half-term with plagues and pus. Ever wondered why medieval doctors would strap a dead mole to your head? What foods can cause worms to grow inside your brain? Why doctors thought dog poo would cure a sore throat? No? Well, you’ll hate Kay’s Gruesome Games. For wretches aged 7 and over. And their parents, if they absolutely must attend.

How can we transform a space into a story? In this introductory workshop, director and choreographer Kosta Karakashyan invites participants into the world of immersive performance, where theatre, dance, and architecture meet. Through guided exercises in devising, writing, and choreographing, participants will explore how to build performances that blur the line between audience and performer and create a sense of intimacy and discovery. Drawing from Karakashyan & Artists’s practice creating works set in alternative venues, the workshop will offer a hands-on introduction to the creative process behind designing participatory worlds that invite audiences to inhabit a story. Limited spots. Please reserve yours in advance.

A gentle movement workshop exploring sense of belonging within ourselves and in connection to others. You'll find new ways to look at your surroundings, improve your ability to stay present in the haste of life and wake up the imagination of the body. Led by performer/writer Jenni Nikinmaa, the creator of Sheep! No previous experience needed, come as you are, in clothes you feel comfortable to move gently in.

Welcome to the world of weird and wonderful! For emerging & early-career artists, with focus on performing arts. Bring a project you have been working on, or begin from a scratch. We will work with non-linear storytelling, overarching metaphors and elements that resist realism. You get new ideas and open up strange and charming possibilities for your work, and develop a project further. Led by performer/writer Jenni Nikinmaa, whose plays are strange and poignant, disturbing, poetic and full of unblinking kindness.

An open platform for performance art. Thessaloniki Fringe Festival invites emerging artists to present short live art pieces. This free, non-seated event encourages movement, discovery, and direct connection between artists and audiences, creating a dynamic environment that celebrates experimentation, spontaneity, and the excitement of live performance. [ Host & Interventions ] Ananana Show: Stylianos Ntokouz The Ananana Show crashes the evening as an experimental host. Through scathing prose, song, and dance, it intervenes between acts, unexpectedly bridging the performances with the audience. [ Lineup 2026: ] •My Manifesto: Odysseas Koniaris, Maria Asimakoula, Thoi Gkournelou, Angeliki Avgitidou (curation) The manifestos of the 20th century inspire through their romanticism and absoluteness. But what form can an artistic manifesto take today? •Plastic Models: Notes on Play, Representation, and Desire: Myrto Asimakopoulou, Antonia Tamiolaki, Maria-Anna Testempasi This presentation analyzes the doll as a carrier of social meanings, exploring how visual culture generates standards of behavior and identity around gender and the body. •Narrow Spaces: Palla Danove, Ioannides Evdokios A performance poetry piece about loss, freedom, and the acceptance of a queer existence. A poet-performer and a musician bring poems to life to help them step out of their room. •Don't Look at the Dead Cat!: Jitske Cosemans, Skyla Buchanan, Chiara Capizzi, Beatrice Mariani Four dancers explore ignorance as a survival mechanism, immersing the audience in an unsettling narrative that questions whether willful denial brings peace. •Metaplasma: Ioanna Tzatsou Raw observation before thought and memory. Ancestral instinct: the body remembers before the mind. What you call reality is merely a habit of perception.

A personal monologue by Eleni Papalambrou where, through the fusion of performing arts, expresses the difficulty of coming of age in the modern world. Original pieces of music and texts she created over her student years compose a 30-minute performance where her little self, alternates with her colored clothes between clown/child and her adult self frustrated by the harsh world. "Little" Helen sings, dances and narrates, inviting the audience to see her stories with imagination as they struggle to remain their little self in an increasingly cruel world. 

A performer is missing. A letter is waiting. You have been given an envelope. An interactive theatre experience about immigration, bureaucracy and what it means to exist temporarily. Written by me. Performed by you.

A study of contemporary urban and digital life, expressed through the deep improvisational current of four instrumentalists from Thessaloniki’s jazz and experimental scene. Haeyadda is a sonically fluid ensemble expanding upon the traditions of avant-jazz and free improvisation. Their music unfolds as a sonic journey, where acoustic and electronic instruments are drawn toward recognition, interaction, and ultimately assimilation into a singular collective form, driven by emotional intensity and improvisational instinct. Over the past few years, Haeyadda has maintained an active presence within Thessaloniki’s jazz and experimental community, presenting a variety of works through live performances.